I found that the movie missed the mark on setting the cultural context of the situation of blacks in south central Los Angeles, where the notorious city of Compton is located. Instead of exploring the national, even global, implications of their message of resistance against police brutality and the abuses of the system of racism/white supremacy on the black community, they instead dedicate a good majority of the movie reharshing the old beefs all their real fans and true hip hop heads already knew about.
After about an hour, I was convinced I was witnesses a big pissing contest on a silver screen. Like I care who sucked up behind Jerry Heller (played by"Sideways" star Paul Giamatti), who was his favorite and who in the group Heller, their music business manager, didn't give a damn about to sign and "take care of," with lucrative contracts and cash. Inevitably, supported by Black Muslim leader, Minister Louis Farrakahn, Ice Cube (portrayed by Cube's son, O' Shea Jackson, Jr.) leaves N.W.A. and releases a diss tape that puts its remaining members to shame as sycophants of The White Man.
Everyone knows that the music industry is one of the most corrupt businesses to ever operate. Even cottage labels, like Priority Records, have turned into artist farms where both the artists' musical product and integrity are siphoned off for pennies on thousands of product units, making the industry attractive to exploitive, old money interests, gangsters and thugs, like the infamous Suge Knigt. Knight is probably as gang related as Al Caponre.
Like John Gotti, Knight had become a Teflon Don in his own rigt. For example, the musis mogul survived the 1996 assassination of Tupac (Mackavelli) Shakur in Las Vegas after a less than memorable Mike Tyson match on the Las Vegas Strip. This has all changed reasonly with his indictment on murdering a man on the set of "Straight Outta Compton," in which he backed over two men in a dispute over money. One lived, one died. Knight has cried, even passed out in court, during arraignment. Guess he's not so gangster after all.
Its been reported in major news outlets that the members of N.W.A. were said to be regulars on the movie's set and were insistent Grey recapture exact details when depicting their lives.
Funny thing is they left out a couple of big chunks of N.W.A. history-- their social impact on the black community's resistance to police brutality and, well, what I would call the rise of gangster rap. Gangsta rap is a genre of Hip-Hop many black music historian believe was ushered in at the height of the conscious rap movement in order to kill the empowering unity being expressed and felt in the community. Gangster rap propagated not only a view of the police as enemey number 1, but of the next black man, one not in your so called gang set, as a close second. Murder rings out in this genre first explored by Rap forefather Ice-T as an valuable means of exacting revenge on "a nigga."
Its been reported in major news outlets that the members of N.W.A. were said to be regulars on the movie's set and were insistent Grey recapture exact details when depicting their lives.
Funny thing is they left out a couple of big chunks of N.W.A. history-- their social impact on the black community's resistance to police brutality and, well, what I would call the rise of gangster rap. Gangsta rap is a genre of Hip-Hop many black music historian believe was ushered in at the height of the conscious rap movement in order to kill the empowering unity being expressed and felt in the community. Gangster rap propagated not only a view of the police as enemey number 1, but of the next black man, one not in your so called gang set, as a close second. Murder rings out in this genre first explored by Rap forefather Ice-T as an valuable means of exacting revenge on "a nigga."
Another huge impact of N.W.A.'s gangster rap is what I call the proliferation of a "Pimps Up, Hoes Down" mental code of the streets that still reverberates in the culture throughout rap and hip-hop for some 25 years and counting. I would say the impact of this music on black male/female relations has been devastating. Let's face it. An ethnic group of men who disrespects its women will never find respect in the world, to quote both Dr. Henrik Louis-Clark and Brother Malcolm X. Today, the misogyny is so ubiquitous that many women themselves have taken to calling themselves, "bitches," "hoes" and the tamest insult of them all, "females." When Queens degrade themselves they can't bring anything good in abundance to the black community's nourishment table. These women who subscribe to this music may themselves become the thing the music creates, just another thirsty, gold-digging bitch.
The opening scene is set in 1986 inside a crack house where dope dealer (soon to be rapper) Eazy-E (Jason Mitchell) is conducting a business meeting. Needless to say, the deal goes left and Eazy escapes with his life but not a grown folk's lesson which is you live by the sword, you die by the sword. Eazy is not alone in this aspect. A few of his associates are also living on the edge. Dr. Dre (Corey Hawkins) dreams of music instead of getting the day job his mom has been hounding him about. Ice Cube (a soon to be father) desires a legacy. DJ Yella (Neil Brown) is looking to increase his pussy cache and MC Ren (Aldo Hodge) appears to Be a true Creative and wants to get the anger out. They come together to form N.W.A., that's Niggas With Atttitudes, realease the LP 'Straight Outta Compton' in 1988 and history is made.
I will find a bootlegger on purpose to cringe through the end of this movie. Dr. Dre and O'Shea have gotten enough of my money the past 25 years. And for what? So Dre can hand out millions to a white school and Ice Cube can be family-friendly? These opportunist have done nothing for the community they come from. Reportedly, Dre is offering the Compton community the royalties from his latest album entitled "Compton: A Soundtrack" to a cultural center there. Who-hoo! He didn't make USC, a extremely wealthy private California university that has among the lowest black enrollment (despite being in an area where more black Californians live per capita than anywhere else in the state) in Southern California, wait to get his coin.
So, there is a buzz. We're talking Oscars now. I've heard it time and again with "Straight Outta Compton." How can I put this? Um, I don't think so. While Gray is a talented director, the film could never be a contender. If by some miracle, it does receive a nod or two, the motives of Hollywood in acknowledging this black film would be "show business" business as usual, dubious at best. In other words, this film has no shot in hell of receiving any Golden statues shaped as the Egyptian God Ptah. Nonetheless, its filmmakers are no doubt taking a que from that Earth, Wind & Fire track and dancing in September as the film has grossed nearly $200 billion dollars. The film cost a mere $28 million to produce. Can you say winning?
I will find a bootlegger on purpose to cringe through the end of this movie. Dr. Dre and O'Shea have gotten enough of my money the past 25 years. And for what? So Dre can hand out millions to a white school and Ice Cube can be family-friendly? These opportunist have done nothing for the community they come from. Reportedly, Dre is offering the Compton community the royalties from his latest album entitled "Compton: A Soundtrack" to a cultural center there. Who-hoo! He didn't make USC, a extremely wealthy private California university that has among the lowest black enrollment (despite being in an area where more black Californians live per capita than anywhere else in the state) in Southern California, wait to get his coin.
So, there is a buzz. We're talking Oscars now. I've heard it time and again with "Straight Outta Compton." How can I put this? Um, I don't think so. While Gray is a talented director, the film could never be a contender. If by some miracle, it does receive a nod or two, the motives of Hollywood in acknowledging this black film would be "show business" business as usual, dubious at best. In other words, this film has no shot in hell of receiving any Golden statues shaped as the Egyptian God Ptah. Nonetheless, its filmmakers are no doubt taking a que from that Earth, Wind & Fire track and dancing in September as the film has grossed nearly $200 billion dollars. The film cost a mere $28 million to produce. Can you say winning?
All and all, I don't hate this film or this classic '80s rap group. I just didn't want to stick around to watch egos at play. Glad to hear Dre has apologized for years of physically assaulting women, such as his artist and long time girlfriend Mi 'chelle and the hip-hop journalist Dee Barnes. The film would have better served itself and the audience by using a much larger lens to capture the full scope of all N.W.A. meant to my generation of Generation X'er's seeking justice and respect in a system of racism/white supremacy intent on marginalizing us and our lives, even taking our lives at will.
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